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Miras-ı Saz

Lesson 18 / 19 · New makams

Karcığar

A makam with Dügah (A) as its tonic and Neva (D) as its dominant, bringing together the colors of Uşşak and Hicaz.

  1. Read the makam page

    Its scale, tonic and dominant pitches, structure and seyir.

  2. Listen to the scale

    Ascending and descending scale: keep the tonic in your ear.

  3. Test your ear

    Five questions: which makam does the scale being played belong to? Get at least four right.

  4. Play and get scored

    Turn on the microphone and slowly play or sing the scale from tonic to tonic. We measure how many commas each pitch deviates; 70% or more passes.

  5. Play a piece in this makam

    Play a piece from the sheet music archive and follow the score.

Lesson notes

Structure

It is formed by joining the Uşşak tetrachord (K S T) on Dügah with the Hicaz pentachord (S A S T) on Neva.

Melodic progression (seyir)

The melody moves through the Hicaz pentachord around Neva and comes to rest on Dügah through the Uşşak tetrachord.

In the dictionary

A compound makam with karar Dügah and güçlü Neva. Its scale is made of the Uşşak tetrachord plus a Hicaz pentachord built on Neva; it is also very popular in folk music. Dictionary entry

Example pieces from the archive (25 in total)

The Karcığar makam page: scale, seyir and all its pieces

Related concepts

  • Uşşak tetrachord: A tetrachord made of a büyük mücenneb, a küçük mücenneb and a tanini (K S T: 8 + 5 + 9 commas); built on Dügah it gives the pitches Dügah–Segah–Çargah–Neva.
  • Hicaz tetrachord: A tetrachord made of a küçük mücenneb, an augmented second and a küçük mücenneb (S A S: 5 + 12 + 5 commas); built on Dügah it gives the pitches Dügah–Dik kürdi–Nim hicaz–Neva.