Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Kaygusuz Abdal is believed to have been born in the Alanya region; tradition holds that his real name was Gaybî and that he was also known as Alâeddin. He turned to the dervish path by becoming a disciple of Abdal Musa and was trained by him for many years; he travelled to Egypt and the holy places. He wrote in both syllabic and aruz meter and is known for his şathiye and for poems that vividly depict everyday life. Besides his Divan he wrote works such as Budalaname, Dilgüşa, Sarayname and Vücudname. Continuing the path of Yunus Emre, he is counted among the founding poets of Alevi-Bektashi literature; his nefes are sung in this tradition.[1, 2]
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
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The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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