Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Hopçuzâde Mehmed Şâkir Efendi was born in Istanbul; his father was Hopçu Seyyid Ahmed Efendi, Kadiri sheikh of the Karabaş Tekke in Tophane. After serving as zâkirbaşı (head chanter) at various tekkes, he succeeded his father as sheikh of the Karabaş Tekke in 1831 and remained in this post until his death. He learned music from Şikârîzâde Ahmed Efendi; he played the ney and the tanbur. He composed ilâhis, peşrevs and instrumental works; works of his such as a mevlid and a mi'râciyye have been lost. His sons Ahmed Gavsî Efendi and Ali Rızâ Efendi were also raised at the tekke. He was buried at the Karabaş Tekke.
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
In the score archive
Our score archive has no piece related to Hopçuzade Şakir Efendi yet. If you have a public-domain score, you can send it to us.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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