Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
Century
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
He was the son of İsmâil Efendi, one of the hâcegân (senior scribes). He was trained in the government offices; he spent several years in England as secretary to Yûsuf Âgâh Efendi, the first permanent Ottoman ambassador in London, and for this reason was known by the nickname 'İngiliz' (the Englishman). On his return, after various secretarial posts, he was appointed reîsülküttâb (chief of scribes). With his work describing the Nizâm-ı Cedîd, his geographical studies and his travel notes on England, he is counted among the reform writers of the reign of Selim III. He was killed while fleeing in Sarıyer during the Kabakçı Mustafa revolt; he was buried in the Ayrılık Çeşmesi Cemetery in Üsküdar.
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
In the score archive
Our score archive has no piece related to Reis Mahmud Raif Efendi yet. If you have a public-domain score, you can send it to us.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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