Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
Sheet music archive
Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Lyrics
Meaning
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Sources
Şivelioğlu Kemânî Yorgaki Efendi
Died: 1800 Hijri calendar: ? – 1214/15
Scores of works by Şivelioğlu Kemânî Yorgaki Efendi (?–1800): 5 pieces in real notation with AEÜ accidentals, playable with kanun sound, plus recordings.
MakamHicaz-Hümâyûn (2), Hüseyni (1), Nihavend (1), Saba (1)FormŞarkı (5)UsulAğır aksak (4), Nim sofyan (1)
In brief
Life
A violinist and composer of Greek origin, he lived in Istanbul in the 18th century and died around 1770. According to Charles Fonton's 1751 treatise, he was the performer who first introduced the European violin into Turkish music. Songs of his such as "Var mı sen gibi beyaz ten" and "Şem'-i hüsnün rûyuna pervâneyim" survive today.
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
Collections
Usuls without works in the archive
No works in these usuls are in the score archive yet; you can hear their düm-tek patterns in the usul metronome.