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Miras-ı Saz

Pitch and interval

Buselik tetrachord

Bûselik dörtlüsü

A tetrachord made of a tanini, a bakiye and a tanini (T B T: 9 + 4 + 9 commas); built on Dügah it gives the pitches Dügah–Buselik–Çargah–Neva.

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Related: Dörtlü (tetrachord)Buselik makamBuselik

Example pieces from the archive (26 in total)

The Buselik makam page: scale, seyir and all its pieces

Makams with Buselik tetrachord on the tonic (16)

NihavendBuselikFerahfezâSultanîyegâhŞehnâzbûselikBahr-i-NâzikGonca-i-RânâGülzârMâhurbûselikMürekkep-IsfahanNihâvend-i-KebîrNihâvend-i-RûmîTarz-ı-NevînVech-i-ŞehnâzMüberkaRuhnüvâz

Makams with Buselik tetrachord on the dominant (20)

HicazUşşakKürdîlihicazkârBeyatîHicaz-HümâyûnKürdiMuhayyerkürdîAcemtarabBahr-i-NâzikBûselikaşîrânDügâh-MâyeFerahnümâGüldesteIsfahânekMâhurbûselikMâverâünnehrTarz-ı-CedîdHicâzî-UşşakHüzîRûy-i Dilârâ

Computed from the site's makam scales: the first pitch of the tetrachord is the makam's tonic or dominant. To listen and search other makams: Çeşni finder

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Sources

The definitions were written in our own words, drawing on sources such as the TDV Encyclopedia of Islam, Yılmaz Öztuna's Encyclopedic Dictionary of Turkish Music and Wikipedia; pitch and interval values follow the Arel-Ezgi-Uzdilek system. This content has not yet been reviewed by an expert; if you spot a mistake, please write to us.

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