Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
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Kemânî Corci
Died: 1805 Hijri calendar: ? – 1219/20
Scores of works by Kemânî Corci (?–1805): 1 pieces in real notation with AEÜ accidentals, playable with kanun sound, plus recordings.
He was an 18th-century court violinist and composer, known as Âmâ (Blind) Corci because he had lost his sight. He served in the Enderûn palace school during the reign of Mahmud I; having first played the sinekeman, he learned the Western violin from a Frenchman and is regarded as the first performer to bring that instrument to the Ottoman court. He is believed to have died around 1805, early in the reign of Selim III. He should not be confused with his namesake, the Kemânî Corci who won fame in the Tulip Era.[1, 2, 3]
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
No works in these usuls are in the score archive yet; you can hear their düm-tek patterns in the usul metronome.