Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
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Rıfat Süleyman Efendi
Died: 1760 Hijri calendar: ? – 1173/74
Scores of works by Rıfat Süleyman Efendi (?–1760): 1 pieces in real notation with AEÜ accidentals, playable with kanun sound, plus recordings.
MakamKürdi (1)FormBeste (1)UsulMuhammes (1)
In brief
Life
Süleyman Efendi of Üsküdar used the pen name Rifat in his poems; having memorized the Qur'an, he studied the religious sciences and, because he rose as far as judge, was also called Molla or Kadı. He was one of the musicians with beautiful voices of the reign of Ahmed III; he produced works in the beste and semai forms, mostly secular, and some of the lyrics are his own. He is known to have been alive in 1726; his date of death is uncertain.[1, 2]
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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