Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
Sheet music archive
Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Lyrics
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Sources
Zaharya Efendi Mir Cemil
Died: 1740 Hijri calendar: ? – 1152/53
Scores of works by Zaharya Efendi Mir Cemil (?–1740): 9 pieces in real notation with AEÜ accidentals, playable with kanun sound, plus recordings.
MakamHüseyni (4), Saba (2), Hicaz-Hümâyûn (1), Hicaz-Uzzâl (1)FormBeste (6), Yürük semai (1), Ağır semai (1), Saz semai (1)UsulAğır Çenber (3), Aksak Semai (2), Yürük semai (1), Çenber (1)
In brief
Life
A hânende and composer of Greek origin; his date of birth is unknown, and he died around 1740. He is recorded as having been chief cantor at the Greek Patriarchate in the Fener, and he also played the tanbur. His compositions in makams such as Hüseynî, Isfahan and Segâh have a place in the classical repertoire. He also prepared a book on Greek church music.[1, 2]
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
Collections
Usuls without works in the archive
No works in these usuls are in the score archive yet; you can hear their düm-tek patterns in the usul metronome.