Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
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Tîznâm (Niznâm) Yûsuf Çelebi
Died: 1760 Hijri calendar: ? – 1173/74
Scores of works by Tîznâm (Niznâm) Yûsuf Çelebi (?–1760): 2 pieces in real notation with AEÜ accidentals, playable with kanun sound, plus recordings.
A na'than (singer of the na't) and composer also known as Niznâm Yûsuf Çelebi; he was born and lived in Istanbul. He spent part of his life as a slave and during that time learned music and the religious sciences; when he was freed he became a hâfız. He became famous in the reigns of Mustafa II and Ahmed III and served as na'than at the Sultan Selim Mosque. Esad Efendi mentions about fifty of his works; his Rast na't and Eviç durak are outstanding examples of religious music.
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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