Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
Sheet music archive
Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
Century
Works
No matching works found.
The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
Work through the piece step by step: listen, slow down, get to know its usul and makam, follow the score and play it on a virtual instrument.
About this work
The story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Lyrics
Cânâ firâk-ı aşkın ile sûzinâkinem vay
Hasretfezâyı gamzen ile sîneçâkinem vay
Yâr yâr şâh-ı cihânım dost dost dilde nihânım
Ter dil li ter dil li ter dilli te ne nen
Te nen ni te ne nen nâ te ne dir ney
Âh gel rûhleri âlim gel gel arz-ı cemâl et
Meaning
Recordings
Doğan DikmenCana Firak-ı Aşkın İle Suz-nakinem · Darül-Elhan Külliyatı · 2011 · 3:01Violin: Kemal CabaCello: Uğur IşıkKanun: Bekir Reha SağbaşOud: Ömer ŞatıroğluVocals: Doğan Dikmen
Notation and playback data: Miras-ı Saz (AEÜ accidentals, comma precision) · adapted from (CC BY-NC-SA 4.0, non-commercial use): SymbTr · Work data: MusicBrainz · License CC BY-NC-SA 4.0: share with attribution, for non-commercial use and under the same license.
In brief
LifeContributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
Collections
Usuls without works in the archive
No works in these usuls are in the score archive yet; you can hear their düm-tek patterns in the usul metronome.
