Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
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Hânende Sarı Onnik Ağa
Died: 1900 Hijri calendar: ? – 1317/18
Scores of works by Hânende Sarı Onnik Ağa (?–1900): 1 pieces in real notation with AEÜ accidentals, playable with kanun sound, plus recordings.
He was a singer (hânende) of Armenian descent who lived in Istanbul in the late 19th and early 20th centuries. According to newspaper announcements of the time, in 1902 he sang in the fasıl ensemble of the İptaloğos music hall in Taksim, Beyoğlu, and during Ramadan of the same year he is named at the head of a five-man ensemble together with the kemençe player Anastas. He is also recorded as a lavta player and as the teacher of Lavtacı Ovrik. His kürdîlihicazkâr song "Bu gönül ne gülde" is counted among the songs Atatürk loved.[1, 2, 3]
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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