Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
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Zurnazen İbrâhim Ağa
Died: 1732 Hijri calendar: ? – 1144/45
Scores of works by Zurnazen İbrâhim Ağa (?–1732): 2 pieces in real notation with AEÜ accidentals, playable with kanun sound, plus recordings.
Zurnazenbaşı İbrâhim Ağa, trained in the Enderun, was a mehter composer and zurna virtuoso who rose to chief zurna player of the palace mehter band. He became a disciple of Mehmed Nasûhî Efendi, şeyh of the Halvetî-Şâbânî order, and also composed religious music. Twenty-five of his works are mentioned in Kantemiroğlu's edvâr; he is regarded as one of the important composers of the 17th-century mehter repertoire. His Uşşak peşrev is still played today.
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
No works in these usuls are in the score archive yet; you can hear their düm-tek patterns in the usul metronome.