Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
He was born in Istanbul as the son of Seyyid Ebûbekir Dede, sheikh of the Yenikapı Mevlevihane; his mother descended from Kutbünnâyî Osman Dede. He was the brother of Ali Nutkî Dede and Abdülbâki Nâsır Dede. He received his education in Sufism, literature and music at the Yenikapı Mevlevihane, particularly under the patronage of his elder brother Ali Nutkî Dede, and served there as kudümzenbaşı (head kudüm player). He composed the Hicaz and Nühüft Mevlevi âyins; a peşrev and saz semâisi in the Anberefşan makam are also his. He wrote Sufi poetry under the pen name Künhî. Vardakosta Ahmed Ağa was one of his students.
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
In the score archive
Our score archive has no piece related to Abdürrahîm Künhî Dede yet. If you have a public-domain score, you can send it to us.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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