Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Enfî Hasan Ağa was born in Fındıklı, Istanbul; he was known by the nicknames Enfî and Burnaz. He received his first musical knowledge from his father, entered the Enderun at a young age and was trained in the kilâr-ı hâssa (privy pantry). In the reign of Ahmed III he became chief singer (serhânende) and directed the large fasıl ensemble at the circumcision festival of the princes in 1720. He was a fine tanbur player. He is reported to have composed more than two hundred works; he set poems by Nedîm and ilâhis by Yunus Emre and Hasan Sezâî to music. His beste and semâi in makam nişâburek are among his best-known works.[1, 2]
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
In the score archive
Our score archive has no piece related to Enfi Hasan Ağa yet. If you have a public-domain score, you can send it to us.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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