Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Hasan Kenzî was a Halvetî-Sünbülî sheikh, poet and composer. Most sources say he was born in Ayaş; because he lived in Manisa for a long time, he is also known as Manisalı. In Istanbul he became a disciple of Mehmed Alâeddin Efendi, sheikh of the Sünbülî Âsitâne in Kocamustafapaşa, was sent to Manisa to guide followers and founded a tekke there. Under the pen name Kenzî he wrote ilâhis in syllabic meter; he set his own poems and those of Yunus Emre to music. His lyrics were sung in Halvetî lodges for many years.[1, 2]
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
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Our score archive has no piece related to Kenzi Hasan Efendi yet. If you have a public-domain score, you can send it to us.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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