Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
He was born in 1846 in Istanbul. Because he was an assessor (mümeyyiz) in the Accounting Office of the Imperial Arsenal (Tophâne-i Âmire), he was known as Tophaneli Sabri Bey; he served as chief muezzin at the palace and gave music lessons to members of the court. His most important teacher was Dellâlzâde İsmâil Efendi; he was a master ud player known for his beautiful voice, and a close friend of Zekâi Dede and Bolâhenk Nûri Bey. He left seven compositions: a march, a Mevlevî âyin and five şarkı. Neyzen Cemil, Kemençeci Kemal Niyazi, Nuri Duyguer and Münir Kökten were among his students.[1, 2]
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
In the score archive
Our score archive has no piece related to Mehmed Sabri Bey yet. If you have a public-domain score, you can send it to us.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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