Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
He was born in a town near Amasya. He began his musical education at the Enderun palace school; he took lessons from Abdürrahim Künhî Dede and attended the gatherings of Şeyh Gâlib at the Galata Mevlevihane. He joined the Mevlevi order. Rising to the rank of companion (musâhip) among the Enderun officers, he entered the close circle of Selim III. He is credited with creating the Ferahfezâ makam and the nineteen-beat darb-ı hüner usul. He composed Mevlevi âyins in the Hicaz, Nihâvend and Sabâ makams; two of his âyins and many instrumental and vocal works have survived. He was buried in the cemetery of the Galata Mevlevihane.
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
In the score archive
Our score archive has no piece related to Vardakosta Ahmed Ağa yet. If you have a public-domain score, you can send it to us.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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