Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
Sheet music archive
Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
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Şeyh Hacı Edhem Efendi
Born: 1862 · Died: 1933
Scores of works by Şeyh Hacı Edhem Efendi (1862–1933): 2 pieces in real notation with AEÜ accidentals, playable with kanun sound, plus recordings.
Müştakzâde Edhem Efendi was born in 1862 in Fatih, Istanbul. He received his musical education in the Mızıka-yı Hümayun and then worked as a clerk in the offices of the Ministry of Pious Foundations (Evkaf), the Navy and the General Staff. In 1892 he made the pilgrimage to Mecca; the mevlid he recited in Medina attracted attention. As a Kādirî şeyh he was postnişin (head) of the Kefevî Tekke from 1916 until the closure of the tekkes. He won his real fame as a music teacher and composer; he died on 17 February 1933.
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
No works in these usuls are in the score archive yet; you can hear their düm-tek patterns in the usul metronome.