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Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Occupation: Music researcher, folk song collector, composer
Known study: Collection of 260 folk melodies
Life
Georgios Pahtikos was born in 1869 in Ortaköy near Geyve; after the Phanar Greek Orthodox College he studied at the university and conservatory in Athens. He taught music for a time in his native region; over sixteen years he collected folk melodies from the southern Balkans, Anatolia and the Aegean islands and published a collection of 260 Greek folk songs and instrumental pieces. Together with Rauf Yektâ Bey he studied the relationship between Byzantine church music and the Ottoman makams. He was a member of the Greek church music society and composed the 'Anatolian March'.[1, 2]
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
In the score archive
Our score archive has no piece related to Georgios Pahtikos yet. If you have a public-domain score, you can send it to us.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
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Usuls without works in the archive
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