Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
Sheet music archive
Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
Century
Works
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Scores of works by Hoca Ahmet Mükerrem Akıncı (1885–1940): 3 pieces in real notation with AEÜ accidentals, playable with kanun sound, plus recordings.
MakamAcemaşîrân (1), Hicazkâr (1), Karcığar (1)FormŞarkı (2), Saz semai (1)UsulDevr-i hindi (1), Curcuna (1), Aksak Semai (1)
In brief
Life
Hâfız Ahmed Mükerrem Bey was born in 1885 in Fatih, Istanbul. After the military middle school and the madrasa he worked as a civil servant at the Ministry of War, while also serving as a mosque preacher and imam; for a time he was engaged in trade, and he was also known as a wrestler. He played the ud and the kanun and trained himself without a particular teacher. He took up composing late; some sixty of his works, mostly vocal, are known. He died in 1940.
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
Collections
Usuls without works in the archive
No works in these usuls are in the score archive yet; you can hear their düm-tek patterns in the usul metronome.
