Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
Sheet music archive
Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
Century
Works
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Scores of works by Mildan Niyazi Ayomak (1888–1947): 3 pieces in real notation with AEÜ accidentals, playable with kanun sound, plus recordings.
MakamHicazkâr (1), Nihavend (1), Rast (1)FormŞarkı (2), March (1)UsulAksak (2), Nim sofyan (1)
In brief
Life
He was a composer, performer and music theorist. On 5 April 1933 he founded the journal Nota in Istanbul, published fortnightly under the motto 'Music is the food of the soul', and kept it running until 1935. He argued that Turkish music should preserve its essence while its melodies were blended with the sounds of Western music into polyphony, and he was among the authors of the first studies on the harmonization of Turkish music. His theoretical text 'Türk Mûsikîsi'nin İç Yüzü ve Yeni Nazariyâtı', written in 1938, remained unpublished.[1, 2, 3]
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
Collections
Usuls without works in the archive
No works in these usuls are in the score archive yet; you can hear their düm-tek patterns in the usul metronome.
