Memories attributed to composers and the stories behind pieces, with their sources. Each story shows how reliable its source is; read each one on its own page and listen to the piece.
Sheet music archive
Classical Turkish music works in real staff notation with AEÜ accidentals. Read the score, hear it with kanun sound, adjust the tempo.
Century
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The archive only holds classical and sacred works whose composer and lyricist died more than 70 years ago; folk songs (türkü) and recent composers are not included for copyright reasons.
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
The archive only includes works by composers whose copyright has expired.
The level is estimated automatically from the score (range, speed, rhythm, usul, variety of perdes, length).
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About this workThe story of the piece
The story linked to this piece, as told in the sources. The reliability of the source is shown above it; the sources are listed at the end of the page.
Born in İzmir, he also died in İzmir in 1948. He was a hânende, composer and music teacher; he served as imam and preacher at the Hisar Mosque and chaired the Turkish music society in İzmir. He learned from Tanbûrî Ali Efendi. He is known for composing very quickly, produced hundreds of works and created the Hisar-aşîrân makam.
Contributions to music theory
Memories
Memories attributed to him and told in the sources. The reliability of the source is shown above each one; the sources are listed at the end of the page.
Emin Dede (İzmir Mevlevîhânesi şeyhi)Santo ŞikârîTanburi Ali EfendiZağralı İsmâil Efendi
Students
Ahmet YardımBekir Sıdkı SezginHâfız İsmail ÖzsesHâfız Kemal ÇavuşoğluHüseyin Mayadağİsmail Demirdövenİsmet Çetinselİsmet YazarKerim İleriMuallâ Geçergün (Kılıç)
The level is estimated automatically from the score: range, notes per second, tempo, short and dotted values, the length and asymmetry (aksak) of the usul, the variety of perdes and the length of the piece are scored together. It is a guide, not a substitute for a teacher's judgement.
Collections
Usuls without works in the archive
No works in these usuls are in the score archive yet; you can hear their düm-tek patterns in the usul metronome.
